SCENE ONE: JENNIFER IS WORKING AT HER DESK WHEN EMILIO DROPS BY TO SEE HER. HE TELLS HER THAT HE HAS AN INTERVIEW FOR A JOB AND SHE IS HAPPY FOR HIM. HE ASKS FOR A GOOD LUCK KISS AND AS SHE IS KISSING HIM. JACK WALKS IN AND SEES THIS, AND IS OBVIOUSLY BOTHERED BY IT.

JENNIFER: Jack.

JACK: What does this look like? Lover's lane.

EMILIO: Oh, no.

JACK: (He is hard strict, because he does not want her to see that he is jealous; in fact he is not able to admit it to himself that he is jealous.) Now Jennifer, when you're working I expect you to act like a reporter not some oversexed teenager. If you can't handle that, maybe you're not the professional I thought you were.

EMILIO: Listen this is none of your business so why don't you just leave her alone, okay?

JACK: Oh, I'm afraid you're grossly misinformed. This is my business. The newspaper business. I can't have any of my employees fraternizing on company time.

JENNIFER: (HAH?) Fraternizing, Jack!

EMILIO: (Acting his tough guy, macho self.) Why don't I just fraternize all over your face, okay?

JENNIFER: Stop it. Stop.

EMILIO: You got no right to talk to her like that.

JACK: No, right? I can't have my employees making fools of themselves in front of the whole office.

JENNIFER: Will you just stop?

JACK: Well, I can't.

EMILIO: Listen why don't I just take him out and smash his brains against the wall?

JENNIFER: Emilio, why don't you leave okay?

EMILIO: I'm not leaving you here with this punk.

JENNIFER: I can handle this situation.

JACK HAS A SELF-SATISFIED EXPRESSION.

EMILIO: Are you sure?

JENNIFER: Yes, I'm sure. Just go.

EMILIO: Okay. I'll see you later.

JENNIFER: Fine.

EMILIO: (In Jack's face.) Tutututu!

EMILIO LEAVES AND JENNIFER HITS JACK FOR LAUGHING.

Jennifer wonders why Jack overreacted; 1:30 Min; 3.3 Meg

JACK: Do what?

JENNIFER: Embarrass me like that. That was way out of line.

JACK: Oh, you were embarrassing yourself Jennifer. Making a scene like that I must say.

JENNIFER: I wasn't making a scene. I gave him a little peck Jack. It was nothing.

JACK: Let's just put the kibosh on the office high jinks okay.

JENNIFER: No. You are not going anywhere until you tell me what's going on.

JACK: What are you talking about?

JENNIFER: (Realizing why Jack is so upset.) Jack you blew this whole thing way out of proportion. Why? Why are you making such a big deal out of me kissing Emilio?

JACK: Now who's making a big deal out of nothing.

JENNIFER: No, Jack, I want to know. Why were you so mad about me kissing Emilio?

JACK: Look, this is about improper office behavior.

JENNIFER: Yeah, and I told you I don't buy that.

JACK: You can kiss whoever or whatever you want to, on your own time out of the office.

JENNIFER: Oh, good, I'm glad we got that straight Jack.

JACK: So am I, so am I. I'm glad.

JENNIFER: Fine.

JACK: Where are you going now?

JENNIFER: I have an appointment.

JACK: With who?

JENNIFER: None of your business.

JACK: You're on company time. Who?

JENNIFER: (Sarcastic. Teasing Jack.) The Salem University football team Jack.

JACK: All of them?

JENNIFER: Yeah, I have a date with all of them and the whole marching band too. What do you think about that?

JENNIFER WALKS OUT AND JACK TURNS AROUND TO SEE THE WHOLE OFFICE WATCHING HIM.

HE WALKS AROUND AND SITS AT JENNIFER'S DESK.

SCENE TWO: JENNIFER GOES BACK TO HER APARTMENT AND MEETS SCOTT WHO HAS COME TO LOOK AT HER APARTMENT. THEY BOTH LAUGH ABOUT THE MIX UP BUT HE SAYS THAT HE DOES NOT WANT TO LIVE WITH HIS COUSIN.

SCENE THREE: MEANWHILE JACK HAS DOZED OFF WHILE SITTING AT JENNIFER'S DESK....

HE LOOKS AT HER COMPUTER SCREEN AND READS:

Jack has a fantasy of Jennifer; 2:10 Min; 4.6 Meg

JACK: "HI, JACK.... Why were you so upset when I kissed Emilio?"

HE LOOKS UP TO SEE JENNIFER SITTING AT THE DESK OPPOSITE HIM. SHE WAVES THEN STANDS UP AND REMOVES HER JACKET AND THROWS IT IN HIS FACE AS SHE WALKS TOWARDS HIM. HE IS PETRIFIED.

HE STANDS AND TRIES TO GET AROUND THE DESK BUT SHE TRAPS HIM BY HOLDING ON TO HIS TIE.

JACK: Ah.... um.... I told you. It's.... ah.... because of the impropriety in the.... ah.... office and the.... ah.... the Puritanical Work Ethic....

JENNIFER: (Seductively) You're a terrible liar Jack.

JACK: I am?

JENNIFER: Huh, uh.

JENNIFER MOVES CLOSER AND CLOSER UNTIL SHE IS NIBBLING HIS EAR.

JENNIFER: Yes. I know how you really feel. I feel the same way Jack. It's you that I want, not Emilio. You have no reason to be jealous of him.

JENNIFER: No, reason at all. You don't know what to do with me Jack, do you? Jack.... Jack.... Jack.

JENNIFER BEGINS TAPPING ON THE MONITOR AND JACK WAKES UP.

JACK: (Awaking from his daydream.) Huh? Jennifer!

JENNIFER: (Amused) It must have been some daydream you were having.

JACK: (Confused, and hoping that what happened is not obvious to her.) Why?

JENNIFER: Cause you're drooling Jack.

JACK: (Looking and checking to see if he really is. And he is. He wipes away the drool) Oh. I am. Oh.

SHE PUSHES HIS CHAIR BACK AND BENDS OVER IN FRONT OF HIM.

JENNIFER: (Amused at Jack's discomfort.) What?

JACK: (Trying to pass it off as nothing.) Oh, nothing, rea.... nothing.

JENNIFER: I forgot my keys.

JACK: (Still confused.) You did?

JENNIFER: Yes, why else would I want to come back here?

JACK: I.... don't know.

JENNIFER: Goodbye Jack.

JACK: Jennifer were you just.... nah.... nah!

JACK IS UNSURE IF IT ACTUALLY HAPPENED. AND IS HE RIGHT WAS IT MORE THAN JUST A DREAM?

SCENE ONE: JACK AND JENNIFER ARE WALKING ALONG THE PIER GOING OVER WORK. THEY ARE ARGUING BACK AND FORTH ABOUT THE STYLE OF AN ARTICLE.

JENNIFER: No, Jack, it's clarification.

JACK: It's boring. It's about school referendum. That's boring.

JENNIFER: No, it's not, not when I write it.

JACK: I'm writing it.

JENNIFER: No, we're both writing it but if you're going to give me a hard time, we'll just forget the whole thing Jack.

JACK: Don't stop now, it was just starting to get lively. What are you looking at?

JENNIFER: Look.

JACK: Well, it's a bum reading a paper. At least it's one of our papers.

JENNIFER: (Concerned.) Jack would you just stop? We can't just walk by him.

JACK: (Not wanting to get involved.) You're right. Let's jog. Come on.

JENNIFER: Just stop. I want to see if he's alright, Maybe he needs help or some money or something.

JACK: Don't, don't do that. Don't Jennifer, that will encourage him.

JENNIFER: Excuse me, excuse me.

JACK: Jennifer don't please. Don't.

SHE REMOVES THE PAPER FROM THE GUY'S FACE.

EMILIO: What does it look like I'm doing?

JENNIFER: Did you sleep out here all night?

EMILIO: Maybe.

JENNIFER: I don't believe this. Emilio.

JACK: (Not at all happy. So resorting to being snide.) I do.

EMILIO: Nobody asked you.

JENNIFER: What happened? How come you didn't stay at April's?

EMILIO: None of your business.

JENNIFER: Did she kick you out?

JACK: (Snarkily) Maybe there'll be hope for her yet.

EMILIO: (Not at all amused by Jack's sense of humor.) Look, why don't you shut up man before I slap one of your hands and break your manicured nails.

JACK: Well, maybe you'd prefer to be sleeping in jail than on the streets.

EMILIO: No, but I'll see you later when it's one on one. How does that grab you?

JACK: I don't believe this.

EMILIO: Get out of my face okay you punk.

JENNIFER: Will you stop this? Jack I'll meet you at work okay.

JACK: Jennifer, we have work to do.

JENNIFER: I know that. This won't take long.

EMILIO: Only five seconds because I got nothing to say.

JENNIFER: Emilio, where are you going?

EMILIO: None of your business man. What do you care?

JENNIFER: You need help.

EMILIO: I don't need nothing from you besides your boyfriends might not like it.

JACK AND JENNIFER: (Together) What boyfriends?

EMILIO: You mean those button down woosies you've been hanging out with? (Looking at Jack.) Huh, huh!

JENNIFER: Emilio, I don't know what you're talking about.

EMILIO: Look, why don't you just get out of here. You got a gig right. Get out of here and leave me alone.

JACK AND JENNIFER LEAVE.

SCENE TWO: A SHORT TIME LATER, JENNIFER COMES BACK TO THE PIER. SHE ASKS EMILIO TO MOVE IN WITH HER UNTIL HE GETS A JOB. HE ASKS HER WHAT THE "CREEP" WILL THINK ABOUT IT AND SHE TELLS HIM THAT JACK IS HER BOSS AND THAT IS ALL. EMILIO SAYS THAT JACK DOES NOT ACT LIKE IT.

SCENE THREE: A BIT LATER EMILIO ARRIVES AT THE LOFT AND SAYS THAT HE HAS DECIDED TO MOVE IN. SHE SETS OUT A FEW HOUSE RULES FOR HIM INCLUDING THE ONE THAT HER ROOM IS OFF LIMITS. EMILIO MAKES A COMMENT THAT THAT IS ALWAYS THE CASE WITH HER.  SHE SHOWS EMILIO TO HIS ROOM AND THERE'S A KNOCK ON THE DOOR. SHE ANSWERS THE DOOR, AND IT IS JACK, WHO OBVIOUSLY HAS CREATED AN EXCUSE TO SEE HER.

JACK: I've got those materials you were looking for.

JENNIFER: Jack great. You've got the statistics and flow charts and everything. That's great.

TWO WAITERS COME IN PULLING A TABLE SET UP FOR DINNER WITH CANDLES AND FLOWERS. VERY ROMANTIC.

JENNIFER: What are you talking.... what's going on here?

JACK: It's dinner.

JENNIFER: Wha.... I thought we were supposed to be working Jack.

JACK: This is how I like to work.

JENNIFER: I don't believe you. Jack!

JACK: I, for one, am tired of pizza on paper plates.

JENNIFER: I like pizza, Jack.

EMILIO COMES RUNNING INTO THE ROOM, SWINGING A SHIRT.

EMILIO:

JACK: (Frustrated at seeing him.) What's he doing here?

JENNIFER: He's living here.

JACK: I don't believe this.

JENNIFER: Well, it's true. Emilio's going to be staying with me for a little while.

JACK: No, I mean this is too much Jennifer, even for you.

JENNIFER: It's none of your business Jack.

EMILIO: But you can make it your business.

JENNIFER: (To Jack) Look, if you came here to work okay but I'm not going to let you stand here and insult my friends, okay?

JACK: Alright, alright, have it your way. Alright gents I think we're all set up here. Good. Here's a.... do you have change? No, go ahead, here.

WAITER: Gee thanks.

JACK SITS DOWN AT THE DINNER TABLE.

JACK: I do want to work but this is getting cold so let's eat. (To Emilio) Look, I'd invite you but there's only enough here for two.

EMILIO: Oh, come on you gotta be kidding. There's plenty here for all of us. Here sit down Jen. Here sit down. I'll get a chair here, pull it up. This is going to be fun.

SCENE FOUR: DINNER IS ALMOST OVER. JACK IS UPSET BECAUSE EMILIO HAS RUINED HIS PLANS. JACK WAS TRYING TO SHOW OFF HOW SOPHISTICATED HE WAS AND THUS MAKE EMILIO LOOK BAD. HE IS HAVING A DIFFICULT TIME DEALING WITH EMILIO'S CRUDE MANNERS.

EMILIO: (To Jack) Are you going to finish that?

JACK: (Not a happy camper, passing his plate to Emilio) No, I guess not.

EMILIO: Good. There you go.

JACK: Hungry, huh?

EMILIO: Second wind, you know what I mean.

JACK: Yeah. Oh, while you're at it. I think you missed a few of these during your first pass.

EMILIO: I'm not crazy about liverwurst, you know.

JACK: Oh, no, no, that's paté. Paté.

EMILIO: Well, I'm not crazy about that either. But I am crazy about desserts. So what did you bring us?

JACK: You're really enjoying yourself aren't you?

EMILIO: Come on. Good food, good wine, a nice lady. What's not to enjoy?

JACK: Hmmm. How long to you plan to be staying here?

EMILIO: Till I get a job.

JACK: Then you'll leave?

EMILIO: Gee you're quick.

JACK: I hope so. How soon do you think it's going to be before you find a job?

EMILIO: I don't know. It depends.

JACK: Depends on what? Do you have any prospects?

EMILIO: Well, I'm waiting on some calls if that's what you're talking about.

JACK: Hmmm. Well, maybe I could help you find something.

EMILIO: What, are you crazy?

JACK: No, I've got a lot of friends. Maybe they could find something suitable for you.

EMILIO: Right, forget it okay.

JACK: I'm just trying to help you.

EMILIO: Look, I don't need your help. Especially your help. I can get a gig on my own.

JACK: The question is when.

EMILIO: Now you wouldn't want me to rush into anything now would you?

SCENE ONE: THE NEXT DAY JENNIFER IS DOING SOME EXERCISE AT THE LOFT AND SHE GETS A CRAMP IN HER LEG. EMILIO OFFERS TO MASSAGE IT. JACK COMES IN.

JENNIFER: My leg cramped up and Emilio was just fixing it for me.

JACK: Really.

JENNIFER: Yes.

EMILIO: It should feel a little better. Does it?

JENNIFER: It does. It feels a lot better. Thanks.

JACK: I didn't know you were trained in sports medicine.

EMILIO: Well, you live and learn don't you?

JENNIFER: Jack what are you doing here?

JACK: Well, actually something happened and I'm.... we have to talk.

JENNIFER: It's my day off.

JACK: Well, I know but it's very important.

JENNIFER: But Jack you always say that. This is my home, this is not an extension of the office alright. (Pointing to her phone) And this is a telephone. All you have to do is pick it up and dial my number.

JACK: But you see it really is very important.

JENNIFER: I like my privacy. If you want to keep coming over here, call first.

JACK: Okay. Sure. Well, when we have some time I'll tell you what Dr. Green said.

JENNIFER: Wait! Wait a minute. Jack, do you mean Dr. Green the chairman of the Journalism Department?

JACK: Yes, that same Dr. Green. He wants to extend your internship at the paper into next year. For credit of course.

JENNIFER: (Here curiosity is peeked.) What? What else did he say?

JACK: Well, I mean in addition to what I just told you, there is a sizable grant involved. I thought you'd probably still be interested.

JENNIFER: (Ecstatic.) Jack are you kidding. I'm so excited. I'm.... I'm sorry I didn't mean to jump all over you like that.

JACK: (Pretending it is nothing) Oh, no problem please. Oh, one more thing. Doc Green said he needs to see a couple of samples of your work still. I mean he's not going to give you the thing until he.... well, until he's sure that you can still write.

JENNIFER: Are you kidding? My whole career is riding on two stories. I'm going to go crazy figuring out what I'm supposed to pick.

JACK: Well, I'll help you.

JENNIFER: Well, it's going to take me hours to get it all together and go through them and....

JACK: Okay, okay. I'll come back later. I'll call this time.

JENNIFER: Alright. Alright. Thanks. Thanks Jack.

JACK: Sure.

EMILIO: The door's over there Bro.

JACK: I know. (Beat) I thought you were going to be out looking for a job?

EMILIO: I've been looking for a job.

JACK: In your shorts?

EMILIO: Hey look man, I know what I'm doing okay.

JACK: Hmmm, uh.

EMILIO: Who knows? If I stick around long enough I may never leave. Ha Ha!

JACK: Who knows.

JACK FLASHES A LOOK, AS HE WALKS OFF, SEEMS LIKE HE HAS SOMETHING UP HIS SLEEVE TO GET EMILIO OUT OF THE LOFT.

SCENE TWO: JACK DECIDES TO VISIT NICK AT WINGS. JACK HAS A PLAN. HE IS DETERMINED TO GET EMILIO OUT OF JENNIFER'S LOFT.

NICK: What do you want?

JACK: (Trying to con Nick.) Well, actually I would like to talk to you if you're through with your important business?

APRIL: Yeah, I got work to do.

NICK: (Nick is not fooled by Jack.) Okay, start talking. You got thirty seconds. 29, 28....

JACK: I'd like you to hire someone as a bouncer.

NICK: Forget it. 27, 26....

JACK: I'm not going to take no for an answer.

NICK: What, do I look like the unemployment office? 25, 24....

JACK: It's for Emilio.

NICK: Ramirez?

JACK: (Deviously) Yes. As in April Ramirez. Look. They're as tight as melted cheese and refried beans. Give the dead beat brother a job and you're in.

NICK: And what's in it for you Jackie boy?

JACK: Oh, that's my business.

NICK: No, wait a minute, wait a minute. April told me Emilio is staying with Jennifer Horton until he gets on his feet right?

JACK: So?

NICK: So maybe you want him on his feet?

JACK: So who wouldn't? He's a dead beat.

NICK: Look, if I hire Emilio, it's going to be for April, alright? Not for you.

NICK WALKS OFF. JACK  HAS A PLEASED, SMUG LOOK, HIS PLAN IS WORKING.

SCENE THREE: LATER THAT DAY, JACK IS WORKING WITH JENNIFER AT THE LOFT.

JACK: Alright, I'll look at these and you look over those again.

JENNIFER: Thanks a lot. You're really making this easier for me.

JACK: Don't thank me. Thank Mr. Ramirez.

JENNIFER: Emilio? For what?

JACK: For bugging out when he did. You know you couldn't get any work done with him hanging around like that. I'm surprised. I bet he's always trying to get in the way of your work.

JENNIFER: No, he's really no trouble at all.

JACK: Oh, come on. You've got to admit you can't wait till the guy gets out of here.

JENNIFER: Look Jack, until he finds a job, he has to stay here and that looks like it's going to take a while.

JACK: You don't sound too upset. What happened to "I value my privacy"?

JENNIFER: I do.

JACK: Hmmm. Well, to each his own but I think most people have a pretty low threshold for moochers. And Emilio is a pretty expensive one. Believe me, I've seen him eat.

JENNIFER: He's going to pay me back.

JACK: Huh, uh. When and if he gets a job. Until then, su casa es mi casa.

JENNIFER: Look, it's not going to be forever, alright.

JACK: You do want him to leave don't you?

EMILIO ARRIVES.

JENNIFER: Emilio, hi.

JACK: (Sarcastic) Emilio.

EMILIO: Don't worry I didn't knock off any corner stores. This is all paid for, in cash.

JENNIFER: Well, I thought you didn't have any money.

EMILIO: Well, I don't but I spent my advance.

JENNIFER: Your advance?

EMILIO: Yeah, from my new job.

JENNIFER: Emilio, that's great. You're going to be a bouncer at Wings?

EMILIO: That's right. I get to throw people out and everything.

JACK: You must be very proud.

JENNIFER: You should be. Congratulations. I'm really happy for you.

EMILIO: Thanks, thanks. Listen, I'm going to put this stuff away here.

JENNIFER: Here, let me help you.

EMILIO: I know where everything is.

JENNIFER: Yeah, probably better than I do.

EMILIO: That's because you don't eat. You know I put a pretty big dent in that refrigerator so....

JACK: No, really?

JENNIFER: I don't mind.

JACK: I guess you'll be putting a dent in your own refrigerator now. You did say when you got a job you'd be moving into your own place, right?

EMILIO: Right, that's what I said but right now I'm not worrying about that. I'm celebrating. I'm making dinner. Some of mama's favorites. You'll love it.

JENNIFER: That's great.

EMILIO: Yeah. You're going to think you died and went to Mexico.

JENNIFER: Oh, Jack, you know you're welcome to stay for dinner if you want to.

AS JENNIFER AND EMILIO DISCUSS HIS NEW JOB. JACK STOPS AT THE DOOR, AND WATCHES WITH A SATISFIED LOOK.

SCENE ONE: JENNIFER ARRIVES AT SHENANIGAN'S TO MEET DR. GREEN ABOUT HER ARTICLES.

THE GUY AT THE TABLE MOVES THE MENU AND IT IS JACK.

JENNIFER:

JACK: (Charming, in his slightly slimey sort of way, yet appealing.) Exactly. I ordered some wine. I hope you don't mind.

JENNIFER: What are you talking.... what's going on.... what are you doing here?

JACK: Well, Dr. Green invited me also. Didn't Carol tell you that?

JENNIFER: No, she didn't. Where's Dr. Green?

OBVIOUSLY JACK IS NOT BEING HONEST. HE SET THE WHOLE THING UP TO HAVE AN EXCUSE TO HAVE LUNCH WITH JENNIFER, AND PRETEND THAT IT IS ONLY A PROFESSIONAL MEETING. JACK ALSO SEEMS TO BE TRYING TO SHOW OFF THAT HE IS MORE SOPHISTICATED THAN EMILIO, AND THUS MAKE EMILIO LOOK BAD. HE DEFINITELY IS HEAD OVER HEELS FOR JENNIFER AND JEALOUS OF EMILIO.

SCENE ONE: IT IS EMILIO IS FIRST DAY OF WORK AND HE IS TRYING ON HIS SUIT. JENNIFER PRETENDS TO BE A THUG AND SHE AND EMILIO PLAY AROUND SO HE CAN PRACTICE.

SCENE TWO: MEANWHILE JACK IS ON THE PIER WITH A THUG.

JACK:

THUG: A hundred.

JACK: Oh a hundred, right. You know what to do?

THUG: Act loud and obnoxious.

JACK: That's right. Just be yourself.

THUG: Heh!

JACK: Oh, I meant that as a compliment. Look, I don't have time to stand around and talk. I'll meet you there tonight.

THUG: I'll be there.

JACK: Good. And remember we don't know each other. We never met.

THUG: What do I look, stupid or something?

JACK: Org....

THUG: I'll see you tonight.

SCENE THREE: BACK AT THE LOFT, EMILIO ASKS JENNIFER TO HELP HIM WITH HIS CUFFLINKS AND STUDS. SHE ADJUSTS HIS TIE AND THEN SHE GIVES HIM A GOOD LUCK KISS. JACK ARRIVES JUST AS SHE IS KISSING HIM. JACK IS SNIDE AND SARCASTIC AS USUAL.

EMILIO: That was for good luck huh?

JENNIFER: Hmmm.

JACK: (Well it's not prom night. It must be....let's see....

JENNIFER: Jack.

JACK: First night on the job.

JENNIFER: Jack.

JACK: And let me tell you that you certainly look the part. You look marvelous. I mean you look downright dignified, respectable. Although I think I would have cut the hair, back in '75.

EMILIO: Listen, I should take off. I'll see you later.

JENNIFER: Alright, good luck.

EMILIO TAKES JACK'S HAND.

JENNIFER: Goodbye Emilio, I'll see you later.

EMILIO: Okay. Don't wait up for me.

JENNIFER: Okay. Good luck.

EMILIO LEAVES.

JENNIFER: Alright Jack, what was that all about?

JENNIFER: Why are you here?

JACK: (Nervously) Well, I'm here.... well, I figured I could give you a ride over to.... er.... to Wings. Take you there, you know.

JENNIFER: (Kidding, though it seems like she is having fun teasing him) Like on a date?

JACK: (Not admitting that is what he would like it to be.) No, no, not a date! (Trying to pretend it is nothing more.) I figured you'd be going over there for Emilio. I mean it's the first night. Look, how nervous the guy was and if you were there, I'm sure that it would make him feel a whole lot better.

JENNIFER: You really mean this don't you?

JACK: Of course, I mean it. You're friends aren't you? Close friends. Of course if it's a bad idea we can....

JENNIFER: No, no, it's great idea. I just have to change, that's all.

JACK: Good. Good. I'll meet you in an hour. Pick you up right here.

JENNIFER: Alright, thanks Jack. Meet you in an hour.

JACK: Hmmm.

JENNIFER: Oh Jack, you know sometimes you can be really sweet.

JACK: (Shuddering) No. Little old ladies are sweet, not newspapermen. Don't forget that.

JENNIFER SHUTS THE DOOR. JACK IS ALONE OUTSIDE THE DOOR.

JACK: Yeah.

THEN HE WALKS OFF.