Scene One: Bo visits his son Matthew at Nora's and they talk about Haver. She is surprised that John McBain believes Haver is the killer. She asks Bo what he thinks. He is not as sure, but where is Rae he asks. He points out that when she called them last she seemed stressed. Nora had to admit that she did sound nervous.

Scene Two: Jessica is talking with John, she rails into him for thinking Stephen is involved. She tells him that he is basing it on the photos, and he should realize that Haver would be there because of his research. He realizes that she saw the photos, and gets furious. He tells her she had no right using her Uncle Bo and boyfriend Antonio to sneak around the police station. He asks her if she is so sure what happened to Rae. Angry she leaves. After she has gone he calls for information about Rae's whereabouts. However, there is no news, she still cannot be found.

Scene Three: Back in Rae's cell, she is alone; the room is dark. She is no longer dressed in the "hippie" costume, but in the white blouse and black pants which were part of the pants suit -- though it looks like something out of the 70s too. She picks up the leotards, which are on the cabinet, and flings them across the room, in disgust. They land up against the door. Just then the door opens, and Stephen walks in, again acting as if it is a normal situation; though he is very smug. As he talks Rae is terrified, breathing heavily, not knowing if this will be the day she dies.

Scene Four: With a slight smile, the music box is playing he kicks it away, and it stops playing. Rae stands and tries to be calm, but his behavior and her fear make it hard for her retain her composure.

More Rae and Haver; 2:30 min; 5.4 Meg.

Haver is standing against another wall, the light from outside shining on him; he is fiddling with the leotards and waiting for her response, though he appears to be enjoying toying with her, as if he knows she has no answer for him.

Stephen walks towards her, and stares a her, intrigued by what she will say.

Haver interrupts her; putting his finger on her lips to silence her.

Stephen sits on the cabinet. He puts his arm around her; dangling the leotards. She sits next to him, terrified. He has a spooky expression. Throughout their exchange he continues to caresses her with the leotards, the method of his murders.

Stephen laughs with her, and smiles, making it even more chilling. She has a false, scared grin.

He gets up and walks off, waving the leotards. Rae is nervous.

Scene Five: This scene jumps back and forth between John telling Bo about Haver's background, and Rae and Haver talking about his history.

In her cell Rae is questioning him on his past, as he, his back turned from her, gazes at the leotards.

John tells Bo that Haver grew outside San Francisco. His mom was into free love, and all that hippie stuff; she was a dancer and part-time street singer.

Back to Haver and Rae. Haver is transfixed by the leotards. Rae is still sitting on the cabinet, arms folded, psychoanalyzing him.

She wraps her arms around herself, as if she is almost sympathetic with his past.

Back to John and Bo. They talk how Stephen's mother took him to live with her parents, so she could be with her then current boyfriend -- Haver was only 8.

Back to Haver and Rae. He looks like he is deep in though, the leotards pressed to his lips.

He turns to her with a maliciously evil grin. She looks on terrified.

 

Scene Six: This scene is like the last, cutting between Rae and Haver, and John and Bo giving background to Haver's past, and possibly how and why he became a serial killer.

Rae is still seated on the cabinet, watching him. There is a lit candle. Haver has the leotards draped over his shoulder, and has a lighter in his hand.

He puts his arms around her like a buddy, then he puts his head against hers.

Back to Bo and John. Bo is reading through Haver's file. According to the report young Stephen was beaten by his grandmother. John says that it happened even in public, according to neighbors; however, there was no proof. Bo reads that his grandfather was confined to a wheelchair, so he was not able to protect him.

Back to Haver and Rae. He still is leaning against her.

Back to Bo and John. John tells Bo that both Haver's grandparents burned to death in their own bedroom. Bo reads that Stephen's grandfather's wheelchair was found in the hall, *outside*. John adds that Haver made it to safety from an upstairs window.

Back to Stephen and Rae. He still is talking about his life.

He licks is thumb a couple of times, then extinguishes the candle. He steps back, and wiggles the fingers.

He then begins to tap dance. She does not know how to react. He clicks his feet together and flashes a silly grin, tilting his head.

Back to Bo and John. John reports that Stephen's mother picked him up after the death of his grandparents. She took him back to Oregon. There she had another boyfriend, much older, she married this guy. He was a doctor who taught at a local medical school. There is a knock at the door and it is an officer, he tells him that "he's here."

Back to Rae who is now questioning Haver.

He walks back towards her. He puts his hand in the back of her neck, and squeezes, causing her to let out a groan in pain and fear. He then sits next to her, his head next to hers.

He pushes her head forward, she moans; then he pulls her back, again grabbing her by the back of the neck.

He looks at her smiling.

Scene Seven: Haver's brother Kenneth arrives; he is also a psychiatrist. This is the brother Rae mentioned having met; at the time she implied to Stephen that he had vanished. Kenneth notices the music box. He tells them that it was like the one that Stephen had as a child, it had belonged to their mother. He tells them that he cannot believe that his brother is a killer. However, he then states it would make sense of various things that had happened. Later, after he has left, Bo and John talk about what they learned from Kenneth Haver. They learned that Stephen had committed arson and was cruel to animals -- two warning signs. They know that they have to find Rae soon, or it will be too late for her.

Scene Eight: Back to Rae and Haver. She is by the door, he walks up to her startling her.

Rae throws her hands to her forehead, trying to think. She talks over him at first. She tries to stall for time.

He walks towards her, leaning into her.

STEPHEN: Why?!

RAE: I.... (pausing) I could give you name of someone and eh.... it may not be (gesturing) the name you've chosen to be your next victim, and then you may decide to make (her voice cracking) her.... I.... I can't do it!

STEPHEN: Rae, (speaking softly) you've the biggest ego! This isn't about you! Remember what we said, "I'm in complete control."

RAE: Right.

STEPHEN: So I decide who the next victim is going to be. In fact, I've already decided, so it's just a matter of you....

RAE: Okay.

STEPHEN: (Cont.) giving me a name.

RAE: I know.

STEPHEN: (Becoming annoyed) Come on!

RAE: All right....

STEPHEN: Give me....

RAE: (Cont.) ....I can tell you this....

STEPHEN: (Cont.) ....a name!

RAE: (Angry) IT'S NOT GOING TO BE ME!

STEPHEN: And why not?

RAE: Because, you will want so muuch to come back in here and tell me every interesting detail of what happened!

STEPHEN: Interesting!

RAE: I also know something else....

STEPHEN: Hmmm?

RAE: (Cont.) ....you won't kill me with the red leotard....

STEPHEN: Hmm?

RAE: (Cont.) ....in fact, when you kill me, my body will never be found. That's because, we're sooo closely connected, Stephen, and the police will then suspect you (nodding).

STEPHEN: (Nodding with her) Naturally. But Rae, the police only know what I want them to know!

He grins with an amused grin, pleased with himself.

Scene Eight: Haver is walking down a hallway, looks like back on campus. He turns a corner just as his cell phone rings. He answers it. He is acting and soundly normally now.

Back in Bo's office it is John calling Haver. Bo is at his desk listening in.

They both hang up. Stephen laughs, and smiles, at what he thinks is McBain's ignorance.

He rolls his eyes, pleased with himself, he goes to meet John.

Back at the police station John tells Bo that Stephen is on his way.

Scene Nine: John and Bo are waiting for Stephen. Bo thinks he did not sound too weary. John agrees. He tells Bo that Haver is so smug, and he thinks that they are all idiots; he cannot believe that they would be on to him. Bo is worried about Rae.

Scene Ten: Back in her prison, Rae is pacing around, it is dark, with only a lit candle for light. She then notices the cabinet, and the space behind She blows out the candle, and goes to move the cabinet.

Scene Eleven: Haver has arrived at the police station/court house. He is walking down the hallway, Jessica sees him and calls out to him. Haver is back to his charismatic professor personality.